9½ Weeks

9½ Weeks

I find it surprising how a movie like Fifty Shades of Grey manages to create such a stir in recent years considering a similar movie was released 30 years prior. The controversial erotic movie 9½ Weeks also caused some uproar upon its release for its steamy sex scenes and depiction of kinky sex. But aside from introducing the world to the world of bondage and S&M, it also introduced us to Mickey Rourke and Kim Basinger. Both of them had already been in movies, but this was their breakthrough.

9½ Weeks is about two people, John and Elizabeth, who meet on the streets on New York. Elizabeth is a New York City art gallery employee and he is a mysterious Wall Street broker. Immediately attracted to each other they have a brief but intense affair. Brief as in 9½ weeks, hence the title. An affair which is rather impersonal as it mostly seems to revolve around sex. The surprise twist is that John is rather into bondage and S&M. This is a whole new world for Elizabeth which she is rather happy to explore. At first at least…

Mickey Rourke and Kim Basinger in 9½ Weeks

Love stories have to contain a conflict or a problem for the couple to overcome. This can come in all forms: stranded on an island, rival families, a terminal illness or homophobia in the case of a same sex love story. Together with the way the characters are written this determines wether the audience cares for this love story or not. Sadly 9½ Weeks fails in giving the audience compelling characters. Rourke and Basinger are convincing as a couple and there certainly is chemistry between them. But there wasn’t a moment in the movie I actually cared for them and their relationship.

There’s also not much they have to overcome together. They have a lot of sex, but he takes it a step further each time. If there is a problem it’s that at one point he reaches the limits of her willingness to go along with his sex games. And her final straw turns out to be a threesome.

The movie poster states that “They broke every rule”. But they actually never break any rules. At least not ones that I know of. This is a movie about two adults having consensual sex. Kinky, but still consensual. As far as I know there are no peculiar sex laws in place in New York. It’s not like they’re in Alabama where “Anal and oral sex is illegal between unmarried people“.

Kim Basinger in 9½ Weeks

9½ Weeks is a movie devoid of any depth or even actual character development. Not even Kim Basinger’s character has much of an arc. The only lesson she learns is that maybe bondage and S&M are not her thing. The most surprising element of this all being that it takes her about 9½ weeks to realize this.

Rourke has the thankless task of being the handsome stranger/pretty bad boy. At the end of the movie, he still is the same guy he was at the start. Between the sex Elizabeth tries to peel away the layers of Rourke’s mystique, but it never becomes interesting. It’s fun to see Rourke being a man a woman immediately is attracted to considering the way he looks today. He would go on to star in a similar movie named Wild Orchid and even the little known sequel Another Nine & a Half Weeks. Which, like Kindergarten Cop 2 or Basic Instinct 2, is a sequel not many people know it even exists.

Kim Basinger has a great screen presence. That’s easy to understand considering she was one of the hottest women of the 80s. Whoever wants to see what Batman’s Vicky Vale looks like without clothes on should definitely watch this movie. Her performance is actually pretty decent and she does pull off the harder parts of the role.

Mickey Rourke and Kim Basinger in the alley scene in 9½ Weeks

Adrian Lyne is one of Hollywood’s most controversial directors. Much like Paul Verhoeven he isn’t afraid to push boundaries. His movies are often controversial. A movie like Indecent Proposal provided daytime talk shows with plenty to talk about in the early 90s. Too bad that in these days of formulaic studio movies about fighting robots there seems to be no more place for directors with a distinct voice.

His talent elevates a movie like 9½ Weeks. A movie which in the hands of a different director would just become a softcore flick. Ideal for Playboy TV, but not for mainstream cinemas. He has always shown to have a great eye for iconic visuals. After all, this is the man that gave us Jennifer Beals giving herself a shower on stage. An image so iconic it is still referenced in pop culture today. Just recently in the marketing campaign for Deadpool 2.

Kim Basinger is fed in 9½ Weeks

30 years later 9½ Weeks is hardly as shocking as it was upon its release. The sex-acts Rourke and Basinger perform on each other are not that explicit, save for one scene that borders on abuse. The inclusion of food in an erotic scene was probably more original than it was shocking at the time. Four years later a movie like Hot Shots would even spoof this scene.

Basically 9½ Weeks consists of a couple of steamy scenes that tie a whole lot of uninteresting story together. This makes for a beautifully packaged but boring viewing experience. At moments it feels as if the movie is 9½ hours long. The only redeeming factor is the beautiful photography. Much like the dance scenes in Flashdance, the erotic scenes here are beautifully shot. Some have become iconic even, like the alley scene with the rain pipe.

One of the great things about pornography is that they give the audience what it expects: a 10-90 ratio of story and sex. In 9½ Weeks it’s the other way around. But just like most pornographic movies the story is not as interesting as the sex.

Mickey Rourke and Kim Basinger in 9½ Weeks
9½ Weeks
9½ Weeks

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