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Everybody's most hated spoof-directors return with another one which takes a bite out of the Twilight movies. These vampire movies are known for their rather weak level of quality, and the amount of hype they generate among teenage girls. So after epic unfunny movies like Disaster Movie, Meet the Spartans, Epic Movie and Date Movie they now bring us a comedy about emo vampires, outcast girls and gay werewolves. This duo seems to be on a slow path to creating better movies, but they still have a very long journey to go. Vampires Suck is just another title on their resume they should be ashamed of.
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There have been many films about the state of the earth and its inhabitants after an apocalypse, most of them depicting the life of a lone survivor trying to survive the harsh and anarchistic world in order to create an actin vehicle. The Mad Max movies are well known for this, but also Water World, Doomsday, The Book Of Eli and even the Matrix movies are perfect examples.
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Cop Out is the first movie directed by Kevin Smith that isn't based upon a script by himself. People expecting the traditional Kevin Smith ingredients should prepare themselves for a more slapstick movie rather than a funny dialogue movie. Even most of Smith's regulars are absent here, with the exception of Jason Lee in a small role as the new husband to Bruce Willis' ex-wife. Based upon this movie it would be fair to conclude it sucks to be Ashton Kutcher.
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Jeffrey Dahmer was a serial killer mostly active in the late 80s and early 90s before he got caught. He killed no less than 17 people, all men, most of the gay as Dahmer himself was too, and performed necrophilia and cannibalism. Quite the character one could base a tense and grueling movie on. Jeffrey Dahmer's story is kind of like Brokeback Slaughter if you think of it. Yet, this movie, simply titled Dahmer, is pretty boring as it tries to be a character study of Dahmer but fails to engage and like other movies about serial killers requires the viewers to have knowledge on forehand about the character because not everything was explained really clear. Where movies about fictional killers reveal too much about the killer, Dahmer actually tells us too little.
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It's been a while since there was a real werewolf movie. These feral hybrid creatures have lately only functioned as opponents for vampires in the Twilight and Underworld movies. The Wolfman puts the killing machine once again front and center but sadly forgets to establish a clear protagonist which makes it a movie with no character to really care about, thus making it difficult for the viewer to actually care about the movie.
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